From
orchis1026@aol.com
to
hkanlau@gmail.com
date Sat, Sep 11, 2010 at 9:07 AM
subject Re: Kernel for Human Intelligence
Hi HK,
yes I can open the webpage and have perused some of your
work. . give me some time to digest and i
shall try to give you my 2 cents worth
of opinion at a later time.
by the way, do you sleep? or you've
sublimated to a
total sleepless state of mind?
warmest regards.
Ed
From Honkan LAU
hkanlau@gmail.com
To
orchis1026@aol.com
date Sat, Sep 11, 2010 at 10:42 AM
subject Re: Kernel for Human Intelligence
Dear Edwin,
I have been working on this Neolithic Jade Scripts & Natural intelligence full
time since 2002. I have so
much to report, but had to find effective ways to
report them. I chose only to targeted audience.
The quantum enquiries and information control systems modeling aspects have been
my academic and
professional field since 1965.
I started to examine my ancestry in the early 1980.
I began to look into the origins of Chinese Wen Hua and
have concentrated on what is behind "道","德",
"精氣神"
since 1986.
My constant interactions with the Neolithic Sculptures and Scripts on them since
the early 1980s has
helped in opening my inner mind to see the actual reality
beneath us.
At the same time, I tried to earn and make sufficient resources to acquire the
collection....without the
financial resources, it would be impossible to
initiate the process.
Though the models I have in my mind have constant play backs and reinforcing
with the reality I have
uncovered throughout my life time, I have never engage
in extended long hours of works without sleeps,
contrary to the intelligence is
based on accumulating documented knowledge. I cam to aware that the
super
intelligence works more efficiently at our subconscious, while we fall into
sleep.
I have never tried to work things out consciously, using the step by step
logically deductions mechanically.
All my major revelations come out after relevant observations and a very good
rest, or sleep. Most often,
when I woke up, my models would have been updated
and the pictures would have become more complete
with new revelations and
answers would have appeared automatically.
It had always worked for me in this manner, in solving mathematical problems, in
engineering designs as
well as in comprehending the hidden secretes of
humanities.
I call this process of revelations, Natural Intelligence.
Edwin, writing to you give me an opportunity to address issues in an honest and
simple manner.
Thanks Edwin,
HK
On Mon, Sep 13, 2010 at 7:33 AM, <orchis1026@aol.com> wrote:
Dear HK,
While I have no pretension that I understood your scholarly
research and postulations,
I viewed your collections
with great interest. aside
from the fact that these artifacts are of great historical significance, they
are exceptional
works of arts with simplicity of lines, yet astounding beauty.
question: how do you know that they are not forged? ( our
Chinese compatriots are famous for forgeries as
videnced by how many
"certificates of authenticity"
they issue to us unsuspecting tourists/customers
)
how do
you date them?.
I know, its your life time's work and I want a
course of "Chinese Anthropology for Dummies" in
50 words or less .
best wishes
Edwin
Date Mon, Sep 13, 2010 at 12:05 PM
Subject
How can you tell fakes from genuine unearthed Neoltihic Jade sculptures
Dear Edwin,
1."Fakes" and "Factory Made" Neolithic Jade Sculptures:
"Fakes are those imitations of Neolithic Jade Sculptures
from documented museums
collections, typically the
Hongshan 紅山and
Laingchu
良渚burial jades.
Even the museums have made duplicate
copies
for
sales and for
display.
Imitations by factory
made
jade sculptures
belong to display artworks,
"工藝品",
which operate in a wide open market.
The genuine unearthed channel
has
operated
at
exclusive and
different
market
and
clienteles,
handled by special
by
very specialized
individuals.
Before 1997, it was a very special organized
group participated by regional powers.
It has been a big underground business.
By 2006, discussions of
unearthed
Neolithic jade sculptures began to be
discussed in open forums, but I have not yet encountered
and large scale
systematic collection of jade scripts.
Rule of Thumb and Market Practices:
I would suggest one
does not try to
identify genuinely unearthed Neolithic jades
from isolated vendors, here
or
there
based upon
the
rules of thumb
from the published books.
Most
likely, those rules of thumb might be
speculative
and hard to follow in practice.
There are no simple rules for identifications, as whatever rules one spelled
out, those
required features might be
artificially
imitated and implemented
by
the
people in the trade to bypass
the
judgment of the
novice purchasers.
One needs to participate in the market and
learn the hard facts of the market
place before knowing the trade
practices in the market.
Nature of Unearthed Neolithic Jade Sculptures:
However,
unearthed
Neolithic jade Sculptures had a very special characteristic
of restoring
to
its natural state.
In
my well ventilating store rooms, the impurities in the unearthed jade
sculptures would have disappeared
letting
us to view their naturally aged true
looks. My thirty years of experience in observing the physical changes
my
collection has been valuable. The jade sculptures had to regain their natural
states by releasing the impurities
from thousands of years of immersing in soils
containing mixtures of minerals, chemicals, and water contents.
In order not to disrupt the natural process state of regaining their original
aged state,
I never wash them or rub
them after their unearthing. Rubbing
can disturb the process of
regaining their natural states
properly.
The process
of how
the changes of exterior states
in re-ejecting
impurities
from
the inner surfaces
would tell the true story of
truly unearthed jade sculptures form the imitations.
Imitations/duplicates have not ability to restore to their
Neolithic aged
states.
Over time,
I have come to know the channel very well. Whenever a find of unearthed jades with scripts
arrived
in Hong Kong, I would be
notified. Normally we would
agree on a lump
sum amount
on
the
number of pieces
in the entire
lot for delivery.
Upon arrival, I could see and smell the items
in their natural state.
Not matter how dirty they may look, I would
not wash them, and stored
them letting them return to their
natural states in a
well ventilated
environment
suitable for human habitation.
2. "Dating"
Direct dating will be difficult.
2-1. There are no scientific measured ways to determine the dates of carvings.
Jadestones themselves are of millions
of years old. Carbon
14
dating
is
sample sensitive,
could not be applied to Neolithic Sculptures.
2-1. Picture Scripts Comparisons
Side Issues:
A similar case
in point: I have personally examined the Probability
Assumptions of the statistical
models, and found
out
most of the data collection of the social science phenomena seldom fulfill
the probability assumptions
when those
statistical models were derived.
This also applied to the econometric
models, quantitative economists have been using.
Very few of them have actually understand the probabilistic
and systems assumptions of data in those statistical models.
I am sure, very few had the knowledge and ability to check out the data validity
of the probabilistic
assumptions before
using and concluding
the statistical models and results.
2-2.On Jade sculptures
with scripts
1. We can based on the scripts
patterns and the region they were unearthed to create
an evolution/developing pattern.
2.
Most of the scripts carved are more creative and
natural than the most famous artists we know throughout the
Chinese
history, such as
王羲之,颜真卿.They
all bear the forms of earlier picture scripts.
When we examine closely,
every single one of them has been an abstract composition of picture and a piece
of great
art
itself.
Who could have created them in the 21st century when arts have to be taught by
teachers in schools and institutions.
Whoever can do them would have been the greatest of master by their own right.
Faking has been copying, and creativity
could not be copied.
The two sections from my website have told my stories:
http://www.chineseculturalorigins.com/ListRecovcn.htm
http://www.chineseculturalorigins.com/HistDiscocn.htm
Explaining in 50 words will not fully answer your question.
Thanks,
HK
On Sun, Sep 12, 2010 at 9:50 AM, d.yem@juno.com <d.yem@juno.com> wrote:
No idea what "Neolithic sculptures and Scripts" are.
Best wishes, Daniel
From
Honkan LAU
,
Date
Sun, Sep 12, 2010 at 11:00 AM
Subject
What
are Neolithic Jade Sculptural Scripts
Dear Daniel,
They are the material evidences to reveal the beginnings and development
of the
Chinese character scripts in
the Neolithic age. Up to now, the beginnings of the
Chinese characters could only
be accounted for up to the Oracle Bone Scripts(
discovered in the 1896) of the Shang era, between 1,600 to
1,000 BC.
My collection will account
for their development in the Neolithic
Period from at least 6,000
BC to
1,600BC.
Have you ever click on my website, and view the slideshows of the items of my
collection?
They are in “pdf format”of the Microsoft PowerPoint Slideshows.
You can click my following dedicated page written to our classmates,
http://www.chineseculturalorigins.com/EnglishContents.htm
The section II, are the slideshows of some representative samples of my
collection.
These are my collected Neolithic jade sculptures with carved Chinese character
scripts on them. They account for
the very beginning
of the Chinese characters
and the development paths in the Neolithic age.
I have tried to share this discoveries
with the museum people, but not successfully. University and museums
researches
in this area have been a vacuum, because they were not able to obtain such
unearthed specimens.
Throughout the 20th century In the mainland,
both the museum and university people have been hard pressed in
funding, and
economic conditions have been very hard pressed. After 1949, the intellectual
models have been rigid
which lasts until today in the area of recovering the
roots of the Chinese cultural roots.
As well, the negative impacts from cultural revolution still hang over the
people working in this area. As I found out,
no body, even nowadays are willing
to speak the truth. They have been playing safe just to protect
their livelihood,
their job positions, and authority in their respective field.
Why I was able to uncover all these Neolithic
cultural jades with scripts, while no body has done it systematically
before.
In order to find out why no body else has done this, I spent most of my time in
the last three years finding out why
that has been the case.
I have to find out the nature of human natural intelligence
and the nature of human knowledge. Therefore, the
analysis of Natural
Intelligence and Artificial Intelligence has become my subject matter.
In addition, my aim also tries to point out why many readers were not able to
comprehend my visions as I describe
them.
For your convenience, I have identified the relevant
parts of the webpage,
http://www.chineseculturalorigins.com/EnglishContents.htm
I have dedicated to our classmates.
You can click
and view this webpage, and further click on the underlined items to view the
following slideshows.
II. Chinese Wen Hua
文化 ( to code) &
Wen Min 文明
(to decode) Origins
"Wen Hua & Wen Min" defines the Chinese "cultural behavior"
in a manner specific to the creations and decoding
of the Chinese scripts.
The process of coding Neolithic Chinese Carved Jade
Scripts is Wen Hua (文化)
, and the
process to decode these scripts
would
be
Wen Min (文明).
01. XingJiang & Gangsu Jade sculptures: Descendants of Dinosaurs
新彊&甘肅
玉雕刻:龍的傳人
01-1.
Dinosaur. Dinosaur Bird, Birdman & Modern Man
恐龍，龍鳥，鳥人，現代人
01-2.
XingJiang Black Jade Sculptures: Very early man
新彊墨玉雕刻：非常早期人
02. Early Engraved Neolithic Jade Engraved Pictures to
Scripts
新石器早期的刻契圖片与文字的初型:
02-1. XingJiang Engraved Picture & Scripts on Jade Slates
新彊原始玉片圖文
02-2.
Gangsu Jade Zong：甘肅玉琮圖文
02-2-1.Gangsu Jade Zong Engraved Pictures & Scripts
甘肅玉琮圖文 Part 1
02-2-2. Gangsu Jade Zong Carved Pictures & Scripts
甘肅玉琮圖文Part 2
02-2-3. Gangsu Jade Zong Carved Pictures & Scripts
甘肅玉琮圖文Part3
03. Jiangsu Tai Wu : Fushui, Tahoe, Taiyan Scripts
江蘇太湖地區的 斧燧氏，太昊，与太炎陰刻契文字
03-1. Jiangsu TaiWu Culture: Fushui Era
江蘇太湖斧燧氏時期
03-2. Jiangsu Taiwu Culture: Taihoe & Taiyan
江蘇太湖太昊，太炎:
04.Gangsu Northern Scripts
北方甘肅文字
04-1, 04-2
04-1. Gangsu Early Scripts on Gu
甘肅刻契玉圭文字
04-2.
Gangsu Zeal Name Scripts
甘肅玉璽刻契名字
05.
Pre HuangDi Era : Inner Mongolia, Liaoning, Shaanxi,
Hebei
黄帝前時期:
內蒙，遼寧，陝西，河北陽刻契文字
06.
Central Plains Tapole Scripts
中原蝌蚪刻契文字: 06-1,
06-2
06-1. Central Plains Pre Canjie Tapole Scripts
蒼頡前蝌蚪陽刻契文字
06-2. Central Plains Canjie Tapole Scripts
蒼頡蝌蚪陽刻契文字
06-3. Central Plains Canjie Era Tapole Scripts
蒼頡時期的蝌蚪陽刻契文字
07-1. Yaudi Era: Shanxi Scripts
堯時期，山西刻契文字
07-2. Shun/Yu Era Zhejiang Hangzhou (Liangchu) Scripts
舜禹時期：淅江，抗州至上虞，抗州至會稽
: 陰刻契文字
08. Early Bronze Scripts:
Legacies from Liangchu Jade Scripts
早期銅器文字：承傳自Zhejiang
良渚玉刻契文字
They are the greatest of art works from the early Neolithic to the late Neolithic,
age as
major revelation of human history.
HK
On Tue, Sep 14, 2010 at 7:16 AM, <orchis1026@aol.com> wrote:
Dear HK,
we live and learn.
as a neophyte, I want to
thank you so much for your
patience and your simplified easy-to-understand
lesson on
Neolithic
jades and scripts. your
Chinese
attachments were clear and pithy. its eminently more reader-friendly
than trying
to comprehend your earlier discourse on quantum theory. my idea of the string
theory is still pretty much
along the line of clotheslines in the backyard.
hey, please be reminded that most of us are " old
dogs" , and therefore
pretty resistant to learning new tricks or any subjects
more sophisticated than Na + Cl = NaCl.
I gather 50 words or
less is an impossibility but
your explanation was very appreciated
I echo Martin's sentiments -
I salute you for your
dedication and wish you more
successes in your future endeavors.
best regards.
Edwin
Date
Wed, Sep 15, 2010 at 10:01 AM
Subject:
Knowledge versus Intelligence, Off-line documentation
versus real time judgment
Dear Edwin, Martin and All,
Thanks for the observations and hints.
I am only doing the job of analyzing
and synthesizing the essence of the human knowledge base
accumulating over
the years.
0. Preamble
0-1.Yes, we live and learn. It has been even more difficult to unlearn, and i
have done this in the
1977 to 1980
period.
0-2. Your "Na + Cl = NaCl" : Knowledge models at molecular levels should be
interpreted as engineering tools to
manipulate
matter at that level. Human has transform the tangible form of matter, but the
human intelligence lies
further beneath the molecular, cell or DNA levels. It might be at the quantum
level but the quantitative models has
not been identified.
The qualitative model from accumulative human
experience have been documented
in the form
of Chinese characters,
"道","德","精","氣",神".
The artistic pictorial compositions, i.e. the
encoding tells the story.
It
requires one to decode them to regain the notions
of the dynamics
and the
implications of each of the characters. It illustrates the significance of the
human cognitive process in the inherent
Chinese culture. However, this tradition
has long been lost.
1. Programmed:
Every single one of us has been programmed by documented knowledge,
Human knowledge has been meant for applications,
either for survival, making a living, or for intellectual
curiosity
in understanding
the
world
and universe surrounding
us.
It has been our intelligence to guide
us in distinguishing
valid models from faulty models. The acquired knowledge
would have been merged
to our inborn kernel of
intelligence,"
精".
2. Big and Deep Holes, to be filled or be left alone: Who can do the job?
However, the gaps between the so called specialties of documented knowledge have
been wide
and deep. That has
been why we are still puzzled by so many discrepancies left
by the off –line
documented knowledge base.
That
is why I told Martin that I have been left in the big deep hole. The filing
up the hole
needs
collective efforts.
3. The nature of quantum particles, and the adaptive information control might
have been able to resolve these
discrepancies (those big and deep holes), but
the comprehension of this dynamics has been very difficult
to convey
by words, either in English or Chinese.
Mathematics can be utilized to demonstrate their
nature,
but they were
demanding requiring many years of disciplined
training, practices,
and mental visualization, and
computer digital
simulations solutions. This remains
a challenging job. However, the descriptive nature of such
dynamics sums up
beautifully by LaoTze in the following five models:
"道","德","精","氣",神".
But again, the interpretations of these characters are bit beyond
words, but have been described in a varieties of
manner in Chinese classics, in
a diversity of forms.
I recall I have captured their meanings
over a period of many
years,
by using my interpretations of Quantum reality and the Adaptive information
control in my university days,
and by
practicing
"Qi", LaoTze, Daoist's interpretation, and the principles of Huangdi Nei Jing
黄帝内经.
Personal
experience in this process has been a time consuming process and will take some
efforts to recall them and
document
them.
However, the realization that this has been the case, will provide us the key to
unlock many secrets and queries
in
our understanding of ourselves in the middle of exploding artificial
information models of our multiplicity of cultures.
Fragmented knowledge models need to be unified by a common kernel/platform. If you
consider most of the human
knowledge
models as engineering model, purely
for specific applications
in certain areas, then we
will relieve ourselves
from thinking that they are universal truths. Classical models are engineering
models for specific applications.
Stephen Hawking models of cosmology is not reality, but only a system of mathematical
logics.
Whatever specific works I have done through
my life time, the most significant conclusions are the links to integrate
knowledge models with the real time kernel,
4. Classical
Science & Models
Measurability, Deterministic, Predictability,
are characteristics of Classical sciences.
The
reality of Nature, however has been found to function not in the classical
science manner.
It has been only human's limitation, and ability
that has come up with those deterministic models
for tangible and controllable
applications.
Our models, the modern terminology of "Human Knowledge"
cam only be images of reality to our best guesses.
Human models have been utilized for mental understanding of reality. Some
of us might
have treated them as truths
or
the reality.
5. Beneath Classical Models
This includes, molecular chemical models, Biological cellular, and DNA
models.....Behind all these Chemical and
Biological models,
the dynamics of between the particles and the adaptive
information control ae working.
Their information systems relationships have not been
identified by today's models as yet.
5. "String Theory" belongs to Mathematical Physics
Steve Hawking has been working on the cosmology by mathematical models. He
coined the term quantum gravitation,
but it has
nothing
to
do with the quantum reality at the particle and information control level.
His mathematical
models
have not yet been
subject to neither
instrumental measurement nor human experience.
I have read up Stephen Hawking public lectures, and found his logic has been built up
with many faulty assumptions
and
deductions.
I may find an opportunity to analyze his logics and assumptions, whenever they
may serve as an illustration to help us
clarify the messy accumulation of documented
knowledge not the stage very few of us can tell the truths from the
game plays for
academic survivals.
Please also aware that:
I personally financed the project to seek truths, whereas academics work for a
living.
Thanks for the opportunity to address the related
issues in a personal and intimate level,
HK
PS:
I am in the process of finding an elegant manner to put them in words. May be
the classmates can stimulate me in
some ways
that, one day I might be able to put words with some inspirational
touches that they will have impact on
us.
On Tue, Sep 14, 2010 at 7:16 AM, <orchis1026@aol.com> wrote:
Dear HK,
we live and learn.
as a neophyte, I want to
thank you so much for your
patience and your simplified easy-to-understand lesson on
Neolithic
jades and scripts. your
Chinese
attachments were clear and pithy. its eminently more reader-friendly than trying
to
comprehend your earlier discourse on quantum theory. my idea of the string
theory is still pretty much along the line of clotheslines
in the backyard.
hey, please be reminded that most of us are " old
dogs" , and therefore pretty resistant to learning new tricks or
any subjects
more sophisticated than Na + Cl = NaCl.
I gather 50 words or less is an impossibility but
your explanation was very
appreciated
I echo Martin's sentiments -
I salute you for your dedication and wish you more
successes in your future endeavors.
best regards.
Edwin
